سنجابی، م. ( ۱۳۷۷). دربارۀ نمایشنامه مردم گریز انگیزههای ترجمه، شخصیت مترجم، روش ترجمه و اوضاع و احوال زمان انتشار آن، مترجم، 4(۲۸)، ۳۴-۵۶.
ﻓﺘﻮحی، م. (۱۳۹۰). ﺑﻼﻏﺖ ﺗﺼﻮﯾﺮ. ﺳﺨﻦ.
محسنی، م.، ابوالحسنی، ع.، و تقوی سیاه رودکلایی، ص. (۱۳۹۵). تصویرشناسی بیگانه در شاهنامه با تکیه بر کلیشهپردازی. پژوهش های ادبیات تطبیقی، ۲(۱)، ۱۲۳-۱۴۷.
مولیر، ژ. ( ۱۴۰۲). گزارش مردمگریز. ترجمّ میرزاحبیب اصفهانی. دیدآور.
موسوی بجنوردی، م.ک. ( ۱۳۸۳). دایره المعارف بزرگ اسلامی. جلد دوم. مرکز دایره المعارف بزرگ اسلامی.
نجفی، م. (۱۳۹۲). هویتشناسی. آرما.
Ahmadi, M., & Ajdari, S. (2021). Translation of mystical poetry as “Recreation and Interpretation”: A review of a translation of Mantiq at-Tayr.
Recherches en Langue Française,
2(3), 75–93.
https://doi.org/10.22054/rlf.2021.55022.1089
Ahmadi, M. R. (2012). Diachronic analysis of an extract of the Misanthropist, translates by Mirza Habib Isfahani.
Plume,
8(4), 7–20.
https://doi.org/10.22129/plume.2012.48864
Beller, M., & Leerssen, J. (2007). Imagology: The cultural construction and literary representation of national character. Rodopi.
Beller, M. (2012). The technique of comparison in imagology.
Davor Dukić,
5(24), 39–51.
https://doi.org/10.7202/1070538ar
Bhabha, H. (1990). Nation and narration. Routledge.
Blažević, Z. (2012). Imagining historical imagology: Possibilities and perspectives of Transdisciplinary/Translational epistemology.
Davor Dukić,
6(32), 101–113.
https://doi.org/10.1163/9789004513150_002
Doorslaer, L., Flynn, P., & Leerssen, J. (2016). Interconnecting translation studies and imagology. John Benjamins.
Doorslaer, L. (2012). Translating, narrating and constructing images in journalism with a test case on representation in Flemish TV news.
Meta,
57(4), 1046–1059.
https://doi.org/10.7202/1021232ar
Doorslaer, L. (2019). Embedding imagology in translation studies.
Slovo.ru: Baltic Accent,
6(34), 57–76.
https://doi.org/10.5922/2225-5346-2019-3-4
Dyserinck, H. (1991). Comparative literature: An introduction. Bouvier.
Doorslaer, v., Flynn, P., & Leerssen, J. (2016). On translated images, stereotypes and disciplines. In P. Flynn, J. Leerssen, & L. v. Doorslaer (Eds.), Interconnecting translation studies and imagology (pp. 1-18). John Benjamins.
Giugliano, M., & Alsina Keith, V. (2019). Seeing the image of one’s culture through the image of another: Translating images of national identity.
Meta,
64(3), 748–775.
https://doi.org/10.7202/1070538ar
Jenkins, R. (2008). Social identity. Routledge.
Le Juez, B. (2021). Cosmopolitan Theory: Examining the (Dis-) location of Imagology. Space in Literary Studies, (7) 2, 6-27. Doi: https://doi.org/10.24193/mjcst.2021.12.01
Mandler, P. (2006). What is “national identity”? Definitions and applications in modern British historiography.
Modern Intellectual History,
3(2), 271–297.
https://doi.org/10.1017/S1479244306000746
Marinetti, C. (2013). Translation and theatre: From performance to performativity.
Target,
25(3), 307–320.
https://doi.org/10.1075/target.25.3.01mar
Molière, J.B. (1996). Le Misanthrope. Gallimard.
Moura, J-M. (1998). The image of the foreigner: perspectives of literary imagology studies. Cairn.
Moura, J-M. (1992). The image of the third world in the contemporary French novel. Cairn.
Pageaux, D-H. (1995). Research on imagology: from cultural history to poetry. Revista de Filología Francesa, 8(3), 135–146.
Rujan Stefania, V. (2002). Overview of comparative imagology. Annales d'Université "Valahia" Târgovişte. Section d'Archéologie et d'Histoire, 4(5), 214-218.
Sorge, V. (1998). Literary country images in songs by Wolf Biermann and Vladimir Wyssozki: An imagological comparison of song texts by the author-interpreters from 1960 to 1980. Peter Lang.
Viorica, R. S. (2002). Overview of comparative imagology. Annales d'Université "Valahia" Târgovişte. Section d'Archéologie et d'Histoire, 4(5), 214-218.