حدّاد، ا. (۱۳۸۹). حقیقت و معنا و آثار ساموئل بکت (با تأکید بر دیدگاه‌های آلن بادیو و تئودور آدورنو). نقد زبان و ادبیّات خارجی، ۳(۱)، ۴۹-۷۱.
عظیمی، ص.، و احمدزاده هروی، ش. (۱۳۹۷). به‌سوی تعریفی تازه از بدن: تحلیل مسأله بدن از فلسفه و جامعه‌شناسی تا ادبیّات. مطالعات زبان و ترجمه، ۵۱(۴)، ۸۵-۱۱۸.
Ackerley, C. J., & S. E. Gontarski. (2006). The faber companion to Samuel Beckett. London, England: Faber and Faber.
Badiou, A. (1995). Beckett: L’Increvable d ́esir. Paris, France: Hachette.
Barfield, S. (2002). Beckett and Heidegger: A critical survey. In R. Lane (Ed.). Beckett and philosophy (pp.154-166). New York, NY: Palgrave.
Beckett, S. (1931). Proust. London, England: Grove Press.
Beckett, S. (2009). Watt. London, England: Faber and Faber.
Beckett, S. (2012). The complete dramatic works. London, England: Faber and Faber.
Ben-Zvi, L. (2017). Memories of meeting Beckett. In A. Moorjani, D. de Ruyter-Tognotti, & S. Houppermans (Eds.). Beckett in conversation, “yet again” / Rencontres avec Beckett, “encore” (pp.63-69). Boston, USA: Brill Rodopi.
Cronin, A. (2009). Samuel Beckett: The last modernist. London, England: Flamingo Press.
Erickson, J. D. (1967). Objects and systems in the novels of Samuel Beckett. L'Esprit Créateur, 7(2), 113–122.
Esslin, M. (2014). Samuel Beckett and the art of radio. In S. E. Gontarski (Ed.). On Beckett: essays and criticism (pp. 979-1044). New York, NY: Anthem Press.
Federman, R. (2002). The imaginary museum of Samuel Beckett. Symploke, 10(1), 153-172.
Harman, G.(2002). Tool-being: Heidegger and the metaphysics of objects. Chicago, IL: Open Court.
Harman, G.(2018). Object-oriented ontology: A new theory of everything. London, England: Pelican Books.
Heidegger, M.(2010). Being and Time (J. Stambaugh, Trans.). New York, NY: SUNY Press.
Johnson, J. (1988). Mixing humans and nonhumans together: The sociology of a door-closer. Social Problems, 35(3), 298-310.
Kennedy, A. (1997). Beckett and the modern/postmodern debate. Samuel Beckett Today / Aujourd'hui, 6(1), 255–266.
Kenner, H. (1968). Samuel Beckett: A critical study. Berkeley, CA: University of California Press.
Kern, E. (1962). Beckett’s knight of infinite resignation. Yale French Studies, 29(1), 49-56.
Knowlson, J. (1996). Damned to fame: The life of Samuel Beckett. London, England: Bloomsbury.
Krysinski, W., & R. Mikkanen (1981). Semiotic modalities of the body in modern theater. Poetics Today, 2(3), 141-161.
Lamont, R. C. (1987). To speak the words of ‘the tribe’: The wordlessness of Samuel Beckett’s metaphysical clowns. In K. H. Burkman (Ed.). Myth and ritual in the plays of Samuel Beckett (pp. 56-72). London, England: Fairleigh Dickinson University Press.
Latour, B. (2009). Will the nonhumans be saved? An argument in ecotheology. The Journal of the Royal Anthropological Institute, 15(3), 459-475.
Ponge, F. (1949). Braque, or modern art as event and pleasure (S. Beckett, Trans.). Transition Forty-Nine, 5, 43–47.
Sage, V. (1977). Dickens and Beckett: Two uses of materialism. Journal of Beckett Studies, 2, 15–39.
Sartre, J. P. (1980). Existentialism and humanism (P. Mairet, Trans.). London, England: Methuen.
Schwalm, H. (1997). Beckett’s trilogy and the limits of self-deconstruction. Samuel Beckett Today/Aujourd'hui, 6, 181-192.
Thurling Quinn, M. L. (1975). Objects in the theatre of Samuel Beckett: Their function and significance as components of his theatrical language, (Unpublished doctoral dissertation), McMaster University, Canada.
Weller, S. (2020). Negative anthropology: Beckett and humanism. Samuel Beckett Today / Aujourd’Hui, 32, 161-175.
Wellwarth, G. E. (1961). Life in the void: Samuel Beckett. The University of Kansas Review, 23(1), 25-33.
)
ارسال نظر در مورد این مقاله